Why the Amazing Race has lost its magic
We watch the Amazing Race for different reasons. Some see the world through racers’ eyes, some for the emotions global travel arouses. Most are intrigued by the scale and intensity of the production.
But of late, the race has turned farce.
Slapstick tasks
Early editions of the race are compared to travelogues, allowing the audience to experience the culture of a destination vicariously. Teams danced with the Berber nomads of Tunisia, shared sunglasses with the children of Cape Town’s townships, and played Brazilian volleyball on the beaches of Rio. These interactions have been replaced with slapstick challenges designed for low humour, recently exemplified by the “pinnacle” of slapstick comedy, throwing cake on each other’s faces.
Low comedy would be forgivable if the tasks were identifiable to the locale, but throwing Austrian cakes does not an Austrian task make. In the most recent edition alone, teams have been made to carry Italian cheese in Switzerland on constructed-to-break racks, ride Segways (an American invention) in Bavaria, and run through Siberia in their underwear, apparently not the tradition host Phil Keoghan believes it to be. Real experiences, it seems, have been sacrificed for cheap laughs.
Cultural irrelevance
Producers have become increasingly insensitive to a locale’s cultural essence. Relying on stereotypes or transplanted customs, they add to the very cultural misunderstanding the show is touted to break down.
After visiting Hong Kong in the second season (in which they applaudably highlighted the city’s blend of tradition and novelty), the race returned in its eleventh cycle to an episode filled with blatant stereotypes, beginning with the very first destination, a laundromat in Tsimshatsui.
Now the laundromat is at best an American-Chinese tradition, started up for immigrants in the Chinatowns of the West. With almost every Hong Kong household owning a washing machine since the industrial boom of the 1950s, the laundromat has never had a following in the city, save the occasional need for dry cleaning. One more interesting fact: the laundromat in question, Sun Wah Kiu, is located in the heart of the city’s tourist district. The owner tells me the bulk of their business comes from tourists, not locals, and is genuinely surprised she was approached to represent the city on the race.
The episode continues to explore Hong Kong’s movie and stunt industries with “kung-fu fighters” dressed as Japanese ninjas, and ends off with a “game Hong Kong children play”, tugging a replica junk across a model boat pond. I, for my twelve years of childhood growing up in the city, have never heard of such a tradition. Hong Kong, famous for its hilly terrain, doesn’t have that many ponds to begin with. With model junks unaffordable to the masses before the 80s and out of vogue ever since, did the producers create a “tradition” out of thin air?
End of Part One